A slight body, wrapped in dusty rags. The gas mask on the face reveals only a tired pair of eyes with almost extinguished pupils. The figure slowly winds its way through a grey landscape of crumbling concrete and rusty iron parts. The human-amphibian hybrid contorts itself so bizarrely in this post-apocalyptic world that the laws of physics seem suspended. It is unclear what is up and down, almost impossible to determine on which planet the action is taking place. Observed by other fantastic chimeras, the creature sneaks out of its hiding place again and again to find water for a modest bath.
This avant-garde balancing act between documentary remnants of civilisations, found footage, dance, performance, puppetry and pantomime finds fascinating ways to push familiar definitions of animation to the limit – and beyond. With superbly staged movement choreographies, clever visual ideas and outstanding audio design, Niles Atallah makes a different kind of tale shine brightly.