The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.
The film unfurls the facets of a discreet relationship with one’s origin – searching, questioning, interpreting, at the same time investigating the construction and external perception of identity, the practice of passing. The things of a life, displayed like the findings of an archaeological dig, are laid out ready to be analysed. They express a desire: to be recognised as a white Frenchwoman.