With this year’s retrospective, we are focusing on the radical political cinema of Latin America of the 1960s and 1970s – then a recurring theme at politically committed film festivals on both sides of the Wall. The surprising story of how these films moved back and forth between Leipzig, East Berlin, West Berlin and Oberhausen and were thus preserved is also a key element of the Retrospective.
Anti-colonial cinema
The centrepiece of the Retrospective is formed by films from the so-called “Third Cinema” of Latin America – a radical cinema movement of the Global South that rebelled against social injustice, state repression and (neo)colonial dependency. They are supplemented by East German productions thematically linked to them.
Focus on Chile
The Retrospective‘s focus on Chile reflects the considerable attention given to Chilean current events and filmmaking at the time. Two of the seven programmes are concerned with the international solidarity with Chileans following the 1973 military coup and the experiences of Chileans living in exile in East Germany.
East and west exchanged film copies
A large number of the films showing as part of the Retrospective can be found in German archives today. This film material bears witness to the lively, interconnected festival, distribution and archival work being carried out on both sides of the Wall.
Through film discussions and a DOK Talk, the Retrospective explores how those working in the field in both East and West collaborated without paying heed to the complications of official inner-German relations. Both the State Film Archive of the GDR in East Berlin, which organised the Leipzig retrospectives, and the Freunde der Deutschen Kinemathek in West Berlin made copies of analogue film materials, exchanged them with each other through personal networks and archived them. Together, they thus played a role in making sure that these politically endangered films could be circulated and preserved.
For more information, please see our press release.
All films in the Retrospective
This Retrospective is supported by funding from the Federal Foundation for the Study of the Communist Dictatorship in Germany. This year, the Retrospective is taking place in collaboration with the Arsenal Filminstitut, the German Federal Archives and the DEFA Foundation.
Film Still: „Chile lebt“, Regie: Juan Forch, Michael Börner © DEFA-Stiftung/Michael Börner