1971, Novi Sad, a winter’s night. The filmmaker meets six homeless men, is outraged by the negligent state and takes matters into his own hand. As shelter cannot be found at short notice, he invites the men to his apartment, turning his wife into the involuntary accomplice of his relief operation. The experiment fails, but the film is in the can.
Želimir Žilnik is one of those representatives of the Yugoslavian Black Wave who won the hearts of the West. It is true that at home he found state-funded production opportunities for self- and bureaucracy-critical films like this one. He was even allowed to present them at domestic festivals. But he still experienced Yugoslavian censorship. Strangely enough, however, not with “Black Film“.