DOK Short n’ Sweet

DOK Short n’ Sweet

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Our short film pitch puts the spotlight on the financing and distribution of short documentaries, animated documentaries, animated films and short series.
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About

DOK Short n’ Sweet brings eight exciting new short film projects, at different stages of production, into the spotlight. An international panel of buyers, distributors and programmers engages with the projects, offering feedback, asking questions and opening up new possibilities for financing, distribution and creative collaboration.

Projects pitched at DOK Short n’ Sweet have gone on to be nominated for prestigious awards such as the European Film Award and premiere at A-list festivals including Festival de Cannes, Berlinale, Locarno Film Festival, IDFA and DOK Leipzig.

Language
English

Access
Accredited guests welcome

When & Where DOK Leipzig Logo

–
(UTC+1)
Aus
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Projects 2026

Short n’ Sweet at a Glance

Who?

Eight selected project teams working on short documentaries, animated films or series take the stage to pitch their projects to a group of short film experts and an engaged audience of producers and peers.

Curious to discover what’s next? Join us! The event is open to all accredited guests of DOK Leipzig.

What?

Each project takes the stage for 7 minutes: 3 minutes to pitch the idea, followed by 4 minutes of questions and exchange with the panellists. The conversation continues in one-on-one meetings with panellists and handpicked industry guests, offering project teams the chance to dive deeper into their projects, explore opportunities and build potential working connections.

Ahead of the festival, an online workshop helps project teams sharpen their pitches, while connecting with fellow Short n’ Sweet participants and becoming part of the wider peer network.

Moderator 2026
Daniel Abma
(he/him)
Film University Babelsberg KONRAD WOLF

Daniel Abma is a filmmaker and director based in Berlin. His observational, character-driven documentaries focus on social issues and have screened at festivals including IDFA, Karlovy Vary, Visions du Réel and DOK Leipzig, receiving numerous awards. Since 2017, Abma teaches documentary directing at Film University Babelsberg KONRAD WOLF.

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Panellists 2026
DOK Leipzig Logo

Anna Henckel-Donnersmarck
(she/her)
Berlinale Shorts

Anna Henckel-Donnersmarck has been active as a short film programmer, moderator, panel participant or jury member for more than 25 years. Since 2019 she is the head of Berlinale Shorts. In addition, she teaches at film schools and conceives and realises video installations for stage productions and exhibitions.

Anne Gaschütz
(she/her)
Filmfest Dresden – International Short Film Festival

Anne Gaschütz grew up in Dresden and studied film in the UK. After working in film production, she joined FILMFEST DRESDEN in 2013, becoming co-director in 2020 and sole director in 2024. She is a co-initiator of Talking Shorts and joined Locarno’s Pardi di Domani selection committee in 2021. 

Catherine Colas
(she/her)
ZDF/ARTE

Catherine Colas studied Literature and Theatre at the Sorbonne in Paris. She worked for ARTE France. From 2001 to 2006, she served as Cultural Attaché for the Institut Français in Germany. Since 2007, she has been responsible for short and mid-length films at ZDF/ARTE, primarily for the magazine Kurzschluss, as well as for international debuts.

Céline Roustan
(she/her)
SFC | Rendez-vous Industry, Festival de Cannes

Céline is a film curator and programmer with nearly a decade of industry experience. She is Director of Programming at Palm Springs ShortFest, Senior Curator at Short of the Week, and works with SFC | Rendez-vous in Cannes. She has programmed for SXSW, TIFF, IDFA and Cannes, and mentors for the Doha Film Institute.

Jess Gormley
(she/her)
Executive Producer of Guardian Documentaries

Jess has worked in fiction and non-fiction films as a producer and executive producer for 20 years. She has worked at the Guardian since 2014; specialising in online journalistic documentaries, with projects screening at the Houses of Parliament, US Congress and the UN, as well as key international film festivals.

Nathalie Bourdon
(she/her)
National Film Board of Canada

Nathalie Bourdon is Director of Distribution and Market Development at the National Film Board of Canada. With 30+ years in international distribution, she works across documentary and short-form content, co-production and market strategy, connecting NFB films and filmmakers with broadcasters, platforms, distributors and audiences worldwide.

Sofia Tocar
(she/her)
Festival distribution – Square Eyes

Sofia Tocar is a film distributor and festival agent, leading the short film distribution slate at Square Eyes—an agency specializing in representing bold, author-driven features and shorts. Previously, she was part of the Institute of Documentary Film in Prague, where she coordinated the East Silver Caravan and East Doc Market. 

Yeniffer Fasciani
(she/her)
Feelsales

Sales & Acquisitions at FEELSALES. Experience in theatrical distribution, production of features, shorts and TV series. Holds a master’s in Film Distribution & Business (ECAM), selected in Berlinale Talents, Locarno Industry Academy Chile and EAVE Marketing Workshop. Named “film sales and acquisitions executive to watch” (2025/Screen Daily).

Awards

Awards presented at the 2026 edition are:

Square Eyes Festival Consultation Award

along with a tailor-made consultation on festival strategy by Square Eyes.

DAE Talent Encouragement Award

the award includes a tailor-made mentoring session with a Senior Consultant of DAE (Documentary Association of Europe).

Ohrfilm Award

provides comprehensive music support services for short documentary films. This includes joint analysis of music requirements and possible applications in the film, as well as the conception and adaptation of music for individual scenes or underlying narratives. It supports the mediation and briefing of composers, offers supervision for creative and legal approvals, and also advises on cross-marketing opportunities. 

Contact

 

Zeynep Güzel (she/her)
DOK Short n’ Sweet Coordinator
guzel [at] dok-leipzig [dot] de (guzel[at]dok-leipzig[dot]de)

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DOK Short n’ Sweet Alumni

that have recently celebrated their world premieres
Goats!
Short n’ Sweet 2024

by Tonći Gaćina
produced by: Kompot
HR, FR

World Premiere at Locarno Film Festival (Pardi di Domani)

An animated puppet of a grey-haired woman is standing in a theater hall writing in a book
Mama Micra
Short n’ Sweet 2024

by Rebecca Blöcher, Frédéric Schuld (co-director)
produced by: Fabian&Fred
Distribution: interfilm Berlin World Sales & Distribution
DE

World Premiere and Special Mention in the IDFA Competition for Short Documentary at IDFA 2024

Four women stand together looking at a landscape at dawn.
A Move
Short n’ Sweet 2023

by Elahe Esmaili
Distribution: Square Eyes, The New York Times Op-Docs
IR, UK

World Premiere and winner of the Special Youth Jury Award at Visions du Réel (International Medium Length & Short Film Competition) 2024

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More to discover

Ulrike Schmidt sitzt vor einem Computerbildschirm, darin ist das Video von einer Frau in ihrem Wohnzimmer zusehen, die lächelt und sich mit der Hand auf ihr Herz fasst
Acclaim for DOK Industry Alumni

We are happy to see the film projects from previous DOK Industry editions evolving into successful films. Follow their stories, save the date for their premieres and discover where they screen next.

A presentation at DOK Industry: In the foreground a huge live editing unit with four displays and a control desk. In the background, three persons on stage, equipped with microphones.
DOK Industry Project Archive

Browse the archive and get to know the documentary and XR projects presented at DOK Industry in the recent years.

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DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the MEDIA sub-programme of Creative Europe. Neither the European Union nor the granting authority can be held responsible for them.

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