Once upon a time there was a town on the banks of the Mississippi. The streets are still lined with neo-classicist Antebellum houses. Horse-drawn carriages full of tourists move through the streets, a travelling organist performs on a truck bed. Time seems to stand still in Natchez. But while the descendants of the European colonists, dressed up as “Southern Belles” in historical hoop skirts, welcome their guests and feed them Southern nostalgia, the façades are beginning to crumble. Built on the shoulders of children, women, and men in chains, the epicentre of cotton capitalism and the second-largest slave market in the US, with 750,000 Black exploited persons, emerged here in the mid-19th century.
This part of the former “Cotton Kingdom” is practically absent from the whitewashed version of history. On the contrary, it is dripping with romanticisation and racist clichés. But people like the Black pastor and tour guide Rev are breaking with this tradition and shattering the nostalgically glorified illusion of an ideal world. Suzannah Herbert directs the clash of different perspectives and characters with an unerring eye for direct and indirect contradictions. At the same time, she exposes a rift in society that extends far beyond the Natchez microcosm.

Karla is a dreamer, Karla is charismatic, and Karla is trans. She grows up with her parents in the small Mexican town of Tepoztlán. She loves to wear make-up and dress up. But sometimes, when the world is too much for her, she hides in her room for hours. Fortunately, Karla has friends and a family who support, often understand and sometimes challenge her.
Trans filmmaker Kani Lapuerta followed the daily life and transition of his protagonist over a period of eight years. The result is a colourful, playful and political coming-of-age story told from a trans perspective. Together, Karla and Kani create a cinematic space where their fantasy is as important as their identity – and where both flow into each other. The title of the film refers to a possible gender-neutral form of the Spanish term “niños” that also includes non-binary, trans and gender-fluid children. “Niñxs” is a touching, encouraging film about childhood, creativity and self-empowerment – and a compelling plea for a world in which everyone is simply allowed to be themselves.