There is a house hanging from heavy ropes, firmly anchored to the rocks. Up there in the cliffs, far above the town below, a father lives with his son in the cold. In his 2D frame-by-frame animation, director João Gonzalez uses few colours, which makes the harsh shadows and extreme camera angles of his drawings all the more atmospheric. He has realised a metaphorical tale that can do without dialogue, relying on sound and images alone.

Planes of all sizes, fun fairs, neon advertising, protesting people, men, women and children having fun, desert-like landscapes, urban views – the shimmering 8mm images develop a peculiar pull. They come from our present day but seem strangely distant, past. It’s the visual diary of I.O, a girl who lives in a future surveillance state and remembers the world before climate change.