Everything seems neat at first in Randa Maroufi’s performative reconstruction. Cars form orderly queues; market women tie up their baggage. On the monotonous grey background, the scenes appear schematic, like a blueprint where suddenly everything becomes graphically condensed. Everyday life at the border between the Spanish exclave of Ceuta and Morocco, which is crossed illegally by all kinds of goods.

Mies van der Rohe revolutionized architecture with his radically reduced formal language of clear lines and transparency. Claudia Larcher pieces together his building elements – frames, columns, banisters –, makes them rotate around their vertical axes, multiplies and superimposes them until a dizzying compression is achieved which supplants the enclosed space and thus transparency.