Film Archive

Hommage: Isabel Herguera 2024

Diaries of Confinement – Part One

Katrin Hauser, Lenia Friedrich, Arjun Patel, Milan Haupt, Dexin Yin, Quingqi Ren, Tianyi Zhang, Diego Herguera, Raquel Gálvez Soto, Toni Planas Portas, César García Villafaina, Inés Gonzáles, Candela Carroceda, Agata Tracevič, Justinas Erminas, Eva Rodz, Žilvinas Baranauskas, Margarita Valionytė
Students of seven international universities discuss their forced isolation during lockdown online – and grow closer through this joint film project.
Filmstill Diaries of Confinement – Part One
Filmstill Diaries of Confinement – Part One

Diaries of Confinement – Part One

Diaries of Confinement – Part One
Katrin Hauser, Lenia Friedrich, Arjun Patel, Milan Haupt, Dexin Yin, Quingqi Ren, Tianyi Zhang, Diego Herguera, Raquel Gálvez Soto, Toni Planas Portas, César García Villafaina, Inés Gonzáles, Candela Carroceda, Agata Tracevič, Justinas Erminas, Eva Rodz, Žilvinas Baranauskas, Margarita Valionytė
Hommage: Isabel Herguera 2024
Animated Film
Germany,
Switzerland,
China,
India,
Mexico,
Colombia
2020
16 minutes
English,
Hindi,
Chinese,
Italian,
Spanish,
Albanian,
Portuguese (Portugal)
Subtitles: 
English
In early 2020, the lockdown has brought the world to a halt. Homes become space stations, hermetically sealed off from the outside world. Nobody goes out, only the thoughts go wandering. Students of seven international universities exchange personal impressions of and reflections on this forced isolation online and get to know each other through this joint project.
Franka Sachse

Credits DOK Leipzig Logo

Director
Katrin Hauser, Lenia Friedrich, Arjun Patel, Milan Haupt, Dexin Yin, Quingqi Ren, Tianyi Zhang, Diego Herguera, Raquel Gálvez Soto, Toni Planas Portas, César García Villafaina, Inés Gonzáles, Candela Carroceda, Agata Tracevič, Justinas Erminas, Eva Rodz, Žilvinas Baranauskas, Margarita Valionytė
Audience Competition 2024

Naima

Anna Thommen
As a migrant, Naima must begin her life again from scratch when she moves from Venezuela to Switzerland. The 46-year-old must start from the bottom here. A film about human strength.
Filmstill Naima
Filmstill Naima

Naima

Naima
Anna Thommen
Audience Competition 2024
Documentary Film
Switzerland
2024
98 minutes
German,
Spanish
Subtitles: 
English
There are documentary heroes of such strength and vitality that you fall in love with their charm from the very first moments. As a viewer, you are ready to follow them through fire and water. Naima is exactly such a case – undoubtedly enhanced by the directorial talent and masterful dramatic work of Anna Thommen. Both fire and water will be present.
Naima’s story is the story of a migrant in Europe who has to start her life from scratch when she moves from Venezuela to Switzerland. She used to work in marketing for international companies, but now she ekes out a living with various service jobs. Naima does not give up and fights for the chance to be with her children again. Due to her financial difficulties, the two teenagers live with her ex-husband. When she is given the opportunity to undergo the desired training as a nurse and a preparatory internship in a psychiatric ward, Naima faces significant challenges. Her supervisor dislikes her, which practically leads to the internship not being credited. So there is no shortage of fire and water for our heroine. But Anna Thommen’s portrait is a testament to the human spirit’s ability to endure and even overcome conflagration. It is a must-watch for anyone seeking an inspiring and emotionally touching documentary.
Vika Leshchenko

Credits DOK Leipzig Logo

Director
Anna Thommen
Script
Anna Thommen
Cinematographer
Gabriela Betschart
Editor
Claudio Cea, Anna Thommen
Producer
Judith Lichtneckert
Sound
Wendelin Schmidt-Ott, Nadine Häusler
Sound Design
Guido Keller, Magnetix
Score
Ephrem Lüchinger
World Sales
Renato Manganello
More to watch
Filmstill Tarantism Revisited

Tarantism Revisited

Tarantism Revisited
Anja Dreschke, Michaela Schäuble
German Competition Documentary Film 2024
Documentary Film
Germany,
Switzerland
2024
105 minutes
Italian,
German,
English
Subtitles: 
English
Apulia, 1959: Women in white dresses dance ecstatically in a small chapel. They jump around, roll on the ground, some even climb the altar. They are said to have been bitten by a spider. Their dancing mania requires a ritual exorcism with music. Pictures like these inspired Italian anthropologists to travel to southern Italy. Equipped with tape recorders, film and photo cameras, they tracked down the phenomenon of tarantism.
This essayistic documentary follows the wealth of multi-media archive material produced on this research trip. It brings out the voices of the affected women, who turn out to be experts of their own performances. A special relationship developed between the scientist Annabella Rossi and the “tarantata” Michela Margiotta, with their correspondence at the centre of the film. Even today, these images of female frenzy are disturbing, revealing the loss of control of husbands, families, science and the church. In today’s Apulia, the film discovers living forms of tarantism, tamed as folklore, a tourist attraction. There are new poisons that have infested the system. They, too, must be danced out.
Jan Künemund

Credits DOK Leipzig Logo

Director
Anja Dreschke, Michaela Schäuble
Script
Anja Dreschke, Michaela Schäuble
Cinematographer
Anja Dreschke
Editor
Anja Dreschke
Producer
Anja Dreschke, Michaela Schäuble
Sound
Birgit Minichmayr
Sound Design
Carlo Peters
Score
Carlo Peters
Nominated for: DEFA Sponsoring Prize, VER.DI Prize for Solidarity, Humanity and Fairness
Winner of: Golden Dove (German Competition)
More to watch
Filmstill The Car That Came Back from the Sea

The Car That Came Back from the Sea

Samochód, który wrócił z morza
Jadwiga Kowalska
International Competition Animated Film 2024
Animated Film
Switzerland
2023
11 minutes
English,
Polish
Subtitles: 
English
Poland, 1981. Six friends squeeze into an old car that is far too small and set out for the Polish Baltic coast, fuelled by their longing for freedom. The further they come, the clearer the decrepit state of their country emerges. The pension where they spend the night has nothing that could be served for breakfast. Food and fuel are also in short supply elsewhere. There is a shortage of everything. The only thing one can buy anytime and anywhere is booze, which is plentiful. Just like the country, the car also falls apart piece by piece. But the trip continues, past demonstrating crowds, tanks, barricades and armed policemen.
Singing, laughing and carefree, Leszek and his companions finally make it to the sea. Is this the end of their journey? Or should they join the hundreds of thousands who have already left Poland? The borders of the frame, at least, are open. The sparse, fragmented graphic elements on the empty white background hardly seem an incentive to stay. There is no obstacle that could keep the friends from setting off for new shores.
Franka Sachse

Credits DOK Leipzig Logo

Director
Jadwiga Kowalska
Editor
Fee Liechti Seigner
Producer
Jadwiga Kowalska
Sound
Thomas Gassmann
Score
Christian Aregger, Roland Bucher
Animation
Jadwiga Kowalska, Marco Ellensohn, Jérémie Dupraz, Laure Clemansaud
World Sales
Luce Grosjean
Nominated for: mephisto 97.6 Audience Award
Doc Alliance Award 2024

The Landscape and the Fury

Nicole Vögele
On the Bosnian-Croatian border, many mines from the war have not been cleared yet, traumas are still virulent. This is where the paths of migrants and locals cross.
Filmstill The Landscape and the Fury
Filmstill The Landscape and the Fury

The Landscape and the Fury

Landschaft und Wahn
Nicole Vögele
Doc Alliance Award 2024
Documentary Film
Switzerland
2024
138 minutes
Bosnian,
Kurdish,
English
Subtitles: 
English
Somewhere on the Bosnian-Croatian border. Green hills, forests, fields, a few houses and sheds scattered along the roads. If the territory of the European Union did not end here, it would be a rather unspectacular, interchangeable region. But the seemingly untouched landscape is deceptive – many mines from the Bosnian war have not been cleared yet; war traumas are far from over. Today the paths of migrants and locals cross here, refugees from Afghanistan, Syria and Iraq trudge through the area, braving rain and snow in search of protection and a better life. At night you hear their cries from the forests when they are brutally chased across the border. The villagers on the Bosnian side open the old school building to allow their exhausted bodies a moment of rest. But everyday life continues. Wood is chopped, corn harvested, school kids recite poems. The imam calls to prayer. Everything normal, everything as usual.
As a reporter, Nicole Vögele spent several years researching this border region, reporting on the illegal pushbacks of the Croatian police for the “Der Spiegel” news magazine and others. In her film essay, she now takes the time to observe. She does not ask direct questions, giving as much space to the seasons, the weather and the forest as she does to the people.
Lina Dinkla

Credits DOK Leipzig Logo

Director
Nicole Vögele
Script
Nicole Vögele
Cinematographer
Stefan Sick
Editor
Hannes Bruun
Producer
Aline Schmid, Adrian Blaser
Co-Producer
Urs Augstburger
Sound
Jonathan Schorr, Jean-Pierre Gerth
Score
Alva Noto
World Sales
Katarina Radisic
Nominated for: MDR Film Prize
Audience Competition 2024

There Was Nothing Here Before

Yvann Yagchi
Yvann is the descendant of Palestinian migrants. His Jewish childhood friend moves away to a settlement in the West Bank. Thus begins the story of a failed reunion.
Filmstill There Was Nothing Here Before
Filmstill There Was Nothing Here Before

There Was Nothing Here Before

Avant il n’y avait rien
Yvann Yagchi
Audience Competition 2024
Documentary Film
Switzerland
2024
71 minutes
French,
Arabic,
English
Subtitles: 
English
Director Yvann Yagchi, the son of Palestinian migrants, and his Jewish best friend spend a carefree childhood far away from politics on the neutral ground of Switzerland. As adults, both long for religious and ethnic affiliation. Yvann wants to visit Palestine at last and break generations of silence about the fate of his family. His friend moves to a Jewish settlement in the West Bank. Thus begins the story of a failed reunion.
With frankness and patience, Yvann’s film, addressed directly at his former closest confidant, documents his own emotional development: Initial optimism and diplomatic reserve soon give way to an underlying unease. When a Palestinian refugee challenges him to give up the platitudes about striving for truth and formulate his opinion clearly, we realise that there can be only one standpoint for Yvann. There is a rift between the friends, vividly illustrated by animated doodles. Reflections on a lost friendship turn into a search for identity, made immeasurably harder by the ongoing destruction of Palestinian existence.
Daria Janke

Credits DOK Leipzig Logo

Director
Yvann Yagchi
Script
Yvann Yagchi, Aurora Vögeli
Cinematographer
Gabriel Sandru, Lukas Gut
Editor
Selin Dettwiler, Christof Schertenleib, Christine Hoffet, Olivia Frey
Producer
Brigitte Hofer, Cornelia Seitler
Sound
Muntasr Abul Alul, Amir Bovermann, Massimo Del Gaudio
Sound Design
Jacques Kieffer
Score
Séverine Vaëna
Animation
Anja Sidler, Geena Gasser
World Sales
Paul Thiltges
Kids DOK 2024

Toti

Maëlle Chevallier
Two friendly cells explore the organism they live in. They grow up together, meet other creatures, until they are separated by an accident. From now on, they will each go their own way.
Filmstill Toti
Filmstill Toti

Toti

Toti
Maëlle Chevallier
Kids DOK 2024
Animated Film
Switzerland
2024
6 minutes
without dialogue
Subtitles: 
None
Two cells observed under the microscope. They grow up together and meet many different creatures on their outings. One day they are separated by an accident and it takes a long time before they find each other again. After the first outburst of joy, they realise that they have changed and no longer fit together. A colourful and profound animation.
Lina Dinkla

Credits DOK Leipzig Logo

Director
Maëlle Chevallier
Script
Maëlle Chevallier
Cinematographer
Maëlle Chevallier
Editor
Zoltán Horváth
Producer
Nicolas Burlet
Sound Design
Jérôme Vittoz
Animation
Maëlle Chevallier, Nicolas Moreau
DOK Neuland: Interactive Cinema 2024

Traces of Responsibility

Anja Reiß, Jann Anderegg
Rwanda, 30 years after the genocide. Using an app, viewers vote what happens next, democratically electing the following scene. Every voice matters, both in the cinema and on the screen. 
2024
Filmstill Traces of Responsibility
Filmstill Traces of Responsibility

Traces of Responsibility

Traces of Responsibility
Anja Reiß, Jann Anderegg
DOK Neuland: Interactive Cinema 2024
XR
Switzerland
2024
110 minutes
English,
French,
German,
Kinyarwanda
Subtitles: 
English

Peeling away layers of pain, layers of perspectives, passing by both trauma and hope, this film dives into Rwanda thirty years after the genocide. Covering such a topic has always presented itself as a challenge to documentarians. While Claude Lanzmann’s “Shoa” (1985) is over nine hours long, “Traces of Responsibility” unfolds its eight potential hours as innumerable 85 to 110-minute screenings. In allowing different viewing experiences, this film does not commit to a single version of Rwanda, but rather accentuates its multifaceted, and, yes, complex history. The audience may vote to visit genocide memorials and hear survivor testimonies or to follow a theatre troupe educating children about tolerance. They might choose to visit a market or an art museum, to go to a karaoke bar or to just go home.
“You could a write a 1,000-page book just from our [two] stories,” says Semana Jumapili, a survivor we might encounter. When one considers this, even this film of many paths seems limited. There are countless stories to be told. The genocide in Rwanda was horrifying, and yet there is so much solace in the people we encounter throughout the film. They inspire us to fight injustice and heal wounds which seem too big to overcome.

 

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Dana Melaver

Credits DOK Leipzig Logo

Director
Anja Reiß, Jann Anderegg
Producer
Karin Koch
Production Company
Dschoint Ventschr Filmproduktion
Filmstill Valentina and the MUOSters

Valentina and the MUOSters

Valentina e i MUOStri
Francesca Scalisi
International Competition Documentary Film 2024
Documentary Film
Switzerland,
Italy
2024
80 minutes
Italian
Subtitles: 
English
26-year-old Valentina still lives with her parents. She has always put their welfare before her own needs. The two, on the other hand, keep harping on how clumsy and unambitious she is. The sensitive young woman finds reassurance in the artful crocheting of woollen blossoms and among the thousand-year-old cork oaks of the nature reserve surrounding her hometown. The small Sicilian town of Niscemi is of the highest global political importance: Since 2016, the US Navy has been operating a ground station with huge parabolic antennas here for their satellite communication system MUOS. The system also serves to locate Russian military in the Ukraine and turns the region into a potential target for attacks. The locals have been protesting for years. Due to the strong electromagnetic waves the health risks are enormous.
The remarkable sound design underlines the danger and conveys a sense of unease that grows with all the other threats: massive environmental destruction caused by intensive agriculture, drought, fires. Valentina is deeply shaken. Against her parents’ wishes, she takes part in anti-MUOS rallies, wants to become independent at last, drive a car, get a job. This tender story of emancipation is enchanting with its subtle narrative and dream-like interventions. Valentina will be remembered for a long time!
Annina Wettstein

Credits DOK Leipzig Logo

Director
Francesca Scalisi
Script
Francesca Scalisi
Cinematographer
Stefania Bona
Editor
Marzia Mete
Producer
Mark Olexa
Co-Producer
Chiara Galloni, Ivan Olgiati
Sound
Balthasar Jucker
Sound Design
Adrien Kessler, Olga Kokcharova
Score
Olga Kokcharova
World Sales
Raluca Iacob
Nominated for: FIPRESCI Prize, Prize of the Interreligious Jury
Winner of: FIPRESCI Prize