Film Archive

Filmstill A Move

A Move

Khune
Elahe Esmaili
International Competition Documentary Film 2024
Documentary Film
Iran,
UK
2024
27 minutes
Subtitles: 
English
Filmmaker Elahe returns to her hometown of Mashhad in Iran to help her parents move house. Boxes must be packed, old stuff must be rummaged through together. Meanwhile everyone involved discusses what Elahe should wear at the upcoming big party, because Mr. Hossein, the respected and devout patriarch of the extended family, has invited his relatives to his garden.
Elahe will not wear a headscarf, nor a hat, not even a borrowed baseball cap for this occasion. On previous visits, she was willing to make a lot of compromises in order not to shame anybody at home. But those days are over. The “Woman, Life, Freedom” movement encourages her to force a change. In Hossein’s garden the director has intimate and moving conversations with sisters and cousins. They have all had similar experiences with hijab and chador but found different ways of dealing with it. Elahe boldly confronts her family’s fears and wishes and films the honest discussions.
Seggen Mikael

Credits DOK Leipzig Logo

Director
Elahe Esmaili
Script
Elahe Esmaili
Cinematographer
Mehdi Azadi
Editor
Delaram Shemirani
Producer
Hossein Behboudi Rad
Sound
Anonymous
Sound Design
Ensieh Leyla Maleki
Score
Afshin Azizi
World Sales
Wouter Jansen
Nominated for: Silver Dove
Filmstill Being John Smith

Being John Smith

Being John Smith
John Smith
International Competition Documentary Film 2024
Documentary Film
UK
2024
27 minutes
English
Subtitles: 
English
“What’s in a name? That which we call a rose by any other name would smell as sweet.” The Bard’s canonical quote looms large over British experimental filmmaker John Smith’s latest short; one of the film’s opening gags even has Smith assert that one of his schoolmates, a certain William Shakespeare Smith, was allegedly bullied as much as he was. Saddled with one of the most generic monikers in the English language, the director talks about how this has affected his life and career over the last seven decades, pairing his deadpan voiceover with photographs, documents, snippets from his films and other pertinent images to often hilarious effect. His wry cataloguing of name-related humiliations also takes great pleasure in the tangential, as class, the state of the world today and mortality come to the fore again and again, with the intertitles providing an extra layer of self-deprecation that pushes the whole endeavour towards autofiction. Political, bracingly witty and quietly moving, “Being John Smith” ultimately suggests that humour combined with rigour and intelligence can transcend even the most fixed of categories; what could be sweeter than that?
James Lattimer

Credits DOK Leipzig Logo

Director
John Smith
Script
John Smith
Cinematographer
John Smith
Editor
John Smith
Producer
John Smith
Sound Design
John Smith