Birdsong and meandering lines, sometimes solo, sometimes as a swarm movement. In their midst a park landscape, a staircase, and a man with a dog seem to emerge fleetingly. In Robert Breer’s minimalist drawn animation, the abstract and the figurative briefly overlap, then fall apart again. The permanent change of the forms follows the pulse rate of the birdsong recorded in nature.

Mount Sinai Hospital in New York is one of the largest and oldest hospitals in the United States. Mati, an aspiring hospital chaplain, works here. She is about to complete her one-year residency in the department of “Spiritual Care,” a branch of palliative medicine. Patients struggling with insecurity, trauma and grief get emotional and spiritual support here. The film follows Mati and her colleagues through 2020 and 2021, the years with the highest number of deaths in the history of the USA. Mati herself must struggle daily to find her balance. Because, as her supervisor puts it, if one’s own bandwidth is used up, there is simply no room left for the tougher things. It is therefore an important part of the work of a counsellor to get support and guidance for oneself.

Luke Lorentzen observes this cosmos with great sensitivity and, despite being so close, with pleasant restraint. The calm camera often keeps its distance, especially in moments of doubt or when observing conflicts in the team. A film unafraid of intimacy that spans a thought-provoking arc: between questions of faith, loss and professional sustainability.

Hand-coloured and from the mind of one of the 20th century’s most innovative abstract filmmakers, “Abstronic” combines abstraction and electronics to produce a playful flow of images reminiscent of an abstract painting in motion. Mary Ellen Bute, who was also a painter, created the film using electronic images generated by a specially designed oscilloscope in combination with traditional animation.

This compilation of four films demonstrates the capabilities of the ANIMAC analogue computer, the predecessor to the later Scanimate video synthesizer, which would kickstart a new era in motion graphics during the 1970s. The ANIMAC’s jaunty and fluid forms, created using manually controlled cathode rays which drew on screen in real time, give an early example of electronically designed and animated characters.

Sorensen, DeWitt and Winkler were a dream team of artist engineers, a talented trio whose fluency in new media and technology won them numerous awards and accolades. Their skills in video synthesis and processing are deeply visible in this dreamy, psychedelic drift through synthesised New Age landscapes made of vapourwave colours and swirling, fractal-like shapes.

In the mythology of the Kikuyu community the Mugumo, the Kenyan fig tree, represents transformation and rebirth. This multiplayer VR experience invites us to witness a sacred ritual: Dancing around the Mugumo can turn a man into a woman and a woman into a man. We follow Waicici, a genderless person, in the quest for the most honest version of themselves.