In his early twenties, Mwita Mataro set himself three big goals: become a rock star, make a film, and then found an art school in Tanzania. He has already accomplished the rock star part – he is the frontman of a band. And this film is his directorial debut. There was a choice of many subjects, something beautiful like friendship, for example. But there is one thing that bothers him more than his white film colleagues, and that is the colour of his skin. So what does it mean to grow up as a Salzburg native with Tanzanian roots, as a Black Person of Colour in predominantly white Austria? To investigate this, he has teamed up with young BPoCs to create the animated fantasy world Greenland: a place where all the potato creatures are green except Bluekid and his blue family. They paint themselves green to be less conspicuous, but since this does not always work out, Bluekid experiences rejection and marginalisation.

In his documentary essay, Mataro reflects on a daily reality based on colours: racism, alien attributions, otherness, blues experiences in Greenland. He listens to children and adults, lets the audience participate in talks with pedagogues, psychologists and politicians and opens up in front of the camera at home. With “Austroschwarz”, Mataro also comes one step closer to his third goal.