The red house dissolves and transforms into all kinds of other things. The house re-assembles, but bigger and wider than before. Quicker than the eye can see, all kinds of brightly coloured shapes appear on the screen. What was a clown a second ago suddenly becomes a wild mix of fantastic images and figures. And right in the middle, the red house keeps turning up.

Abstract organic drawings, wandering flocks of clouds and the surging sea give the “Impromptu opus 70” piano piece a visual body which refuses to take on a fixed form or pause. “Remous” embraces the undulations of Jacques Hétu’s erratic composition, twists perspectives and makes individual notes shimmer as brief reflections of light on the surfaces of deep darkness.