The camera calmly explores the holes and fissures of a cliff face, the traces of the ocean. The austere landscape seems to have fallen out of time. Only a few decades ago, fishermen threw their trap baskets into the water from here. Today, the sea around Malta has long been fished dry. Punta, a moustachioed islander, wants to have one more go.
A weir is woven from the hairs of a horsetail, a forgotten craft is demonstrated. An intercut Super 8 film documents the diversity of marine life in the past; its grainy images radiate something irretrievable. An octopus curls around a foot, a jellyfish floats through the eternal blue. Punta gazes melancholically at the sea, far beneath him the waves are crashing against the rock as they have always done. And yet the sight is deceptive, because he and we know that no fish will ever stray into his weir. The rough singing of a woman’s voice begins.

As she visits an exhibition, a graphic designer is mesmerised by the photocollages of the anti-fascist John Heartfield, who became known as the “montage dada.” Stefanie falls through a vortex of paper and photo snippets into an old-fashioned looking studio. A pair of scissors – an analogue tool she herself hardly uses – attracts her attention. She begins to cut a figure out of cardboard, a miniature version of the artist who at once addresses her and explores his life and works with her. The studio turns out to be a living archive that ceaselessly produces documents and information about Johnny. The research gives Stefanie, stressed and disappointed by her job, new motivation, and the courage to choose a different path as a designer.

Both protagonists have the same profession and find themselves facing the same questions about the significance and recognition of their work. Both are struggling in their own way with frustration and fears, caused by the different social and political circumstances of their generations. The different elements of this animated documentary come together in a dialogic collage that reflects on the mission of art, its educative and critical power, and its potential to bring about changes in our society.