DOK Preview International

DOK Preview International

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DOK Leipzig, in collaboration with Europe’s finest training initiatives, invites exciting projects ready for discovery and circulation across the globe. Two wild-cards from international pitching events complete the mix.
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Audience in a screening room is watching a film on a big screen.
© Susann Bargas Gomez
About DOK Preview International

Spot the most exciting, fresh films seeking gap financing, distribution partners and festival premieres. DOK Leipzig shines a light on one outstanding project from each partner initiative – recognising the catalysing effect of these career-enhancing programmes and industry events. A refresher workshop ahead of the event preps the teams for an inspiring presentation and lively conversation with the moderators Brigid O’Shea and Sofia Tocar.

Each project shows exciting ambition and beautiful cinematic handwriting. We are happy to share the film projects and kickstart their successful release. Get a taste of what is to come in 2025.

DOK Preview International is realised in collaboration with Docs by the Sea, DOCSP Encontro InternacionalDocu Rough Cut Boutique, dok.incubator, EFM Doc Toolbox Programme, ESoDoc, EURODOC, Ex Oriente Film.


Language:
English

Access:
Invitation only
Livestream accessible for all accredited guests.

When & Where DOK Leipzig Logo

(UTC+1)
Online/Onsite
Online &
Onsite
Aus
(UTC+1)
Online/Onsite
Online
Aus
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Moderators 2024
Photo of Brigid OShea
Photo of Brigid OShea
Brigid O’Shea
(she/her)
Consultant, Director of Documentary Association of Europe (DAE)
Berlin, Germany

Brigid O’Shea is an Australian native who has worked for European film festivals and documentary organisations since 2008. Holding a B.F.A. obtained in Melbourne and Berlin, she started at the Berlinale Talent Campus in 2008. She worked for various Berlinale departments as a freelancer until 2014, including the EFM and Co-Production Market, until taking a more focused approach on creative documentary. She was appointed Head of DOK Industry in 2015.

She regularly tutors on topics like European co-financing, cultural management and festival strategies. In February 2020 she co-launched the Documentary Association of Europe.

photo of Sofia Tocar
photo of Sofia Tocar
Sofia Tocar
Square Eyes
(she/her)
Distributor
Prague, Czech Republic

Sofia Tocar is a film distributor currently focused on sales strategies and festival distribution for auteur-driven feature and documentary films at Square Eyes, a Vienna-based agency specializing in the presentation of exceptional, non-mainstream cinema.

Previously, she worked at the Institute for Documentary Film in Prague. In addition, Sofia works as a freelance consultant and art curator. Originally from Moldova, she now lives in Prague (CZ). 

Website Square Eyes

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DOK Preview International Projects

We will announce the project selection on 1 October. We hope that you will be as excited about them as we are. Stay tuned!

Want to discover last year’s selection? Visit the project archive.

Alumni Projects

Director of Dok Industry Nadja Tennstedt on stage. She speaks into a microphone and smiles slightly.
Acclaim for Preview Germany Alumni

We are excited to follow the journey of the projects presented at our DOK Industry formats.

Find out about recent releases and festival premieres 

 

The audience claps during a pitching session at DOK Industry.
Project Archive

Want to discover the documentary projects that have been part of DOK Preview Germany since 2020?

Start browsing here

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DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the MEDIA sub-programme of Creative Europe. Neither the European Union nor the granting authority can be held responsible for them.

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