Film Archive

Jahr

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Camagroga

Camagroga
Alfonso Amador
International Competition 2020
Documentary Film
Spain
2019
111 minutes
Catalan,
Spanish
Subtitles: 
English

The Huerta Valenciana is a unique cultural landscape of fields and plantations. For generations this region, mainly planted with perennially rotating crops of tigernuts, artichokes and onions, was regarded as the vegetable garden of Spain. “Camagroga” is a filmic elegy about peasant pride and how it is inscribed in the physiognomies, gestures and postures of the people behind these agricultural products.

Tardor, as autumn is called in the Valencian regional language, is the season when the tigernut straw is burned on the fields to make the winter harvest of the nut-sized bulbs easier. Antonio Ramon and his daughter Inma run a farm of just under four hectares north of Valencia – hardly a profitable size nowadays. And yet they apply a surfeit of care and traditional knowledge to their products, seemingly following the impulses of their vegetative nerve system rather than a deliberate programme. Ever since their fields were also identified as prime real estate in the development plan of the expanding provincial capital, however, they have known that the battle zone has already reached their barn door.
Ralph Eue

Credits DOK Leipzig Logo

Director
Alfonso Amador
Script
Alfonso Amador
Cinematographer
Alfonso Amador
Editor
Sergi Dies
Producer
Xavier Crespo, Alfonso Amador
Sound
Jorge Salvà, José Serrador
Score
Carles Dènia, Pep Gimeno, Miquel Gil
Nominated for: Prize of the Interreligious Jury, FIPRESCI Prize
Filmstill Under the Sun

Under the Sun

Documentary Film
Germany,
North Korea,
Russia,
Czech Republic
2015
110 minutes
Subtitles: 
English

Credits DOK Leipzig Logo

Producer
Natalya Manskaya, Simone Baumann, Filip Remunda
Director
Vitaly Mansky
Music
Kārlis Auzāns
Cinematographer
Alexandra Ivanova, Mikhail Gorobchuk
Editor
Andrej Paperny
Script
Vitaly Mansky
Sound
Evgeniya Lachina, Anrijs Krenbergs
North Korea wants to be the best of all possible worlds. Everything and everyone is taken care off. Pyongyang is a clean, modern metropolis. 8-year-old Zin-mi, who is at the centre of this film, takes us through the stations of a happy childhood: becoming a member of the pioneer organisation, brisk flag ceremonies, enough food and always a song in praise of the Great Leader Kim Jong-un on her lips.

Russian-Ukrainian director Vitaly Mansky got the official permission to document the ordinary life of the city and country for one year. He knows that he is being instrumentalised and simply turns the tables by exposing how the presentations and arrangements are fabricated. His official minder proves to be a real “co-director”. So it’s the apparent details and minor matters Mansky asks us to discover. They offer insights into a well-trained and dulled society. Though we feel like we’re in “1984”, Mansky has come neither as a voyeur nor as a cynic. His camera is looking for the human element behind the mask of the official bulletins: a yawn or a moment of insecurity in this land of the ever-rising sun.

Cornelia Klauß